Shall we upload albums as bittorrents?
Tuesday, February 10, 2009
Various Artists
Tuesday, January 6, 2009
Daptone Records presents
Deep in the heart of Panola County, Mississippi lies Como, a small rural town where children and grown folks alike have been living and breathing gospel for as long as they can remember. In the summer of 2006, Daptone Records placed a small ad in local papers and on the radio inviting singers to come down to Mt. Mariah Church to record their songs. The result is COMO NOW, a stirring collection of traditional and original a cappella gospel from the voices of Panola County’s own families.
It may seem like a leap for Daptone Records to be releasing an album of a cappella gospel music. Daptone has earned a reputation for creating and proliferating the purest of today’s soul and funk music. Why gospel? And why without any instrumentation? If you put aside the analytical categories of the music critic for a moment, and just listen to the record, the answer becomes simple and clear: this is soulful music.
“When Michael Reilly came to me with his first recordings of the Como Mamas, I remember hearing it and being blown away. Though I’ve been into soul music for a very long time, it has only been in the past few years that I really got deeper into gospel music…and the line from soul to gospel eventually became much clearer to me. Less of an academic lineage than a visceral feeling that I started to get from listening to old records by the Soul Stirrers and the Highway Q.C.’s. Dorothy Love Coates, the Mighty Pilgrim Travelers, The Blind Boys, The Violinaires. They were the same sounds, the same feeling, as I got listening to James Brown, Tina Turner, Lee Fields when they were really wailing. Otis Redding when he was really pleading. Al Green when he was really moaning. Sounds that made the hairs on the back of my neck stand on end. The recordings Michael played me gave me the same feeling.”
Tracklist:
1.) When the Gates Swing Open |
2.) It's Alright |
3.) I Can See So Much |
4.) Jesus Builds a Fence Around Me |
5.) Trouble in My Way |
6.) If It Had Not Been for Jesus |
7.) If It Wasn't for the Lord |
8.) New Burying Ground |
9.) God's Unchanging Hand |
10.) I Can't Afford to Let My Saviour Down |
11.) Talk with Jesus |
12.) Lil' Old Church House |
13.) Send Me I'll Go |
14.) Help Me to Carry On |
15.) Move Upstairs |
16.) Somebody Here Needs You Lord |
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Tuesday, November 25, 2008
Brownout
Tracklist:
01.) Brown Wind And Fire
02.) Homenage
03.) Laredo 77
04.) African Battle
05.) Con El Brownout No Se Juega
06.) Latin Asscape
07.) Barretta
08.) Chema's Contraband
09.) They Don't Know
10.) The Sexican
11.) El Narco
12.) You Already Are
13.) Chafa Khan
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The Grits
Tuesday, October 14, 2008
Menahan Street Band
The Menahan Street Band is a collaboration of musicians from Sharon Jones & the Dap-Kings (Dave Guy, Homer Steinweiss, Fernando Velez, Bosco Mann), El Michels Affair (Leon Michels, Toby Pazner), Antibalas (Nick Movshon, Aaron Johnson) and The Budos Band (Mike Deller, Daniel Fodder), brought together by musician/producer Thomas Brenneck (Sharon Jones & the Dap-Kings, Budos Band, Amy Winehouse) to record hits in the bedroom of his Menahan St. apartment in Bushwick, Brooklyn. With influences reaching beyond the funk/soul/afrobeat architecture of their other projects into the more ethereal realms of Curtis Mayfield and Mulatu Astatke, the Menahan Street Band creates a unique new instrumental soul sound that is as raw as it is lush. Their debut album, Make the Road by Walking will be released on Dunham Records, Brenneck’s new imprint of Daptone Records, a joint venture devoted to bringing the Menahan Street sound from Brenneck’s bedroom out into the world. The album is marked by eerily quirky arrangements, featuring vibes, horns, piano, organ, percussion and even a strange bling sound that Brenneck creates by tuning and plucking the strings of his guitar on the wrong side of the bridge. However, it is not the textures themselves that make the new sound of Menahan Street so exciting, but rather the way the sounds are incorporated into the heavy rhythms and bold melodies of the compositions.
Tracklist:
Thursday, October 9, 2008
The Bamboos
The Bamboos are Australia's masters of raw, old school Funk breaks and super-heavy Soul. Led by Guitarist Lance Ferguson (AKA Lanu), other members include Kylie Auldist (Vocals), Dustin Mclean/Ben Grayson (Hammond Organ), Danny Farrugia (Drums), Yuri Pavlinov (Bass), Anton Delecca (Sax/Flute) and Ross Irwin (Trumpet). The Bamboos formed in 2001 and released the 7" single 'Eel Oil/Blackfoot', earning them international acclaim from the likes of Snowboy, Mr Scruff, Jazzanova, Patrick Forge and Russ Dewbury. Their next release 'Tighten Up/Voodoo Doll' was picked up by Kenny Dope (Masters At Work) and Keb Darge (Legendary Deep Funk) for their U.S-based imprint Kay-Dee Records. Making their home at Tru Thoughts records (home to Quantic and Alice Russell) in 2005, The Bamboos debut album ‘Step it Up’ was released jointly by Tru Thoughts and Ubiquity Records (US). In 2004 and 2005 The Bamboos toured Australia and New Zealand alongside Quantic and Alice Russell to universal acclaim. In 2006 and 2007 The Bamboos toured Europe and the U.K, bringing their unmistakable sound to venues including The Jazz Café in London and countries including Germany, Spain, Ireland, Italy and Belgium. The Bamboos live shows have evolved into non-stop mixtape-style throw-downs that draw the links between Hip Hop, Soul, Funk and old-school Breaks. The Bamboos have performed at events including Meredith Music Festival, Falls Festival, The West Coast Blues & Roots Festival, Golden Plains, The Adelaide Festival, The St Kilda Festival, The Sydney Festival, Trop Fest and have appeared on the ABC TV Show ‘Sunday Arts’ The Bamboos music has been featured in high rating TV Shows such as ‘Greys Anatomy’ (US) and ‘Ugly Betty’ (US) The last Bamboos album ‘Rawville’ was described by IDJ magazine (UK) as ‘Arguably the best Funk album of the modern era…” Out through U.K’s Tru Thoughts, it was JBHiFi, Radio National and 3PBS FM’s ‘album of the week’ upon release in May 2007. It was in ABC Australia’s Top 5 Albums for 2007
01.) Nightsport
02.) Tears Cried feat. Kylie Auldist
03.) Now That You Are Mine feat. Kylie Auldist
04.) King Of The Rodeo feat. Megan Washington
05.) Funky Buttercup
06.) Can't Help Myself feat. TY
07.) One Man Entourage
08.) Make It Real feat. Kylie Auldist
09.) Move On feat. Paul MacInnes
10.) The Side Stepper
11.) Amen Brother
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Mr. Confuse
Monday, October 6, 2008
MFSB Muthafunkinsonofabitch
Precise details as to the origins of these 16 instrumental tracks are thin on the ground. None of them are actually credited to MFSB (although the CD as a whole is), and while a few are noted as having been recorded in 1968, 1969, or 1973, over half the cuts are undated. The liner notes -- which actually only consist of five extended quotes from figures involved with MFSB -- aren't much help, although they do scatter hints that these cuts represent MFSB recording under pseudonyms. So an educated guess would presume that these tracks -- credited to no less than twelve separate artists, including such colorful names as Electric Indian (whose "Keem-O-Sabe," a Top Twenty hit in 1969, is the only well known item here), French Connection, Race Street Chinatown Band, and Brothers of Hope, and such mundane handles as Sam Reed Band -- are in fact MFSB recording under different names in the late 1960s and early 1970s. Some celebrated figures are involved in the production and songwriting, including Kenny Gamble, Leon Huff, and Len Barry, but the specifics of their involvement aren't fully spelled out. But while the lack of background information is frustrating, the music itself is pretty cool. This is indeed the sound of Philadelphia soul turning into funk, but rawer and closer to the bone than most of the famous recordings on which MFSB were the backing players (and certainly rawer than MFSB's own hit recordings). All of the instrumental elements of the Philly soul sound are here: tight grooves, funky guitars, neat riffs, and overlays of jazzy vibraphones. It sounds earthier than much famous Philly soul of the era, though, in part because most of the tracks aren't decorated with horns or soothing strings, putting the most cutting ingredients in relief. That's particularly true of some of the guitar work, which sometimes goes into nifty wah-wah, and at others (especially on Hidden Cost's "Bo Did It") even verges on what sounds like Cream/Yardbirds-influenced hard rock lines. It's true that much of this does sound like promising backing tracks waiting for vocal overdubs, and that none of them (except "Keem-O-Sabe") particularly sound like they're instrumental-only hits waiting to happen. Yet this incompleteness is also part of what makes this obscure release interesting, allowing us to dig the root of the Philly sound without the sweeteners in a pretty unadulterated state. Much of it's indeed funky as a, well, mutha, and no doubt it will eventually be plundered by twenty-first century samplers looking for something that few competitors are even aware exist.
Tracklist:
01.) Interpretations - Trippin'
02.) Brothers Of Hope - Nickol Nickol
03.) Interpretations - Jason Pew Mosso (Part Two)
04.) Hidden Cost - Bo Did It (Long Version)
05.) Hidden Cost - Vibrations (Long Version)
06.) Daley Diggers - I Can Dig It
07.) Sam Reed Band - Ambassador'S Theme
08.) Sam Reed Band - Jimmy Bishop Theme
09.) Alliance - Cupid'S Holding
10.) Cupit - Squeeze Your Knees
11.) Race Street Chinatown Band - Egg Foo Wa Wa
12.) Electric Indian - Keem O Sabe
13.) French Connection - Monte Carlo
14.) Electric Indian - My Cherie Amour
15.) Pat & The Blenders - Just Because (Instrumental)
16.) Ando Orchestra - Ando'S Theme
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Saturday, September 27, 2008
Daptone Records
Lettuce
The seven-person all-star collective known as Lettuce has been around since 1992, with its members branching off into successful standalone projects (Soulive, Rustic Overtones, et al), but never straying far from the project that started it all. "Rage", the band's third album, sees the collective reaching back to pay homage to the funk gods (EWF, James Brown, Tower of Power, the Meters, P-Funk, etc), while retaining the band's meticulous hip-hop tinged phrasing, melody and progressions. The compositions all follow a similar formula: riffs and breakbeats setting up the solos, bridges and/or hooks, and though there are times when the songs traverse the borders of funk-by-numbers monotony, the band's chemistry shines through time and again as a saving grace. One can tell the boys are having fun and this is proved true every time a glimmer of their monstrous theory knowledge and improv talent surfaces. But, this project is not meant to clone those aspects so strongly established in Lettuce's first two albums. "Rage" was made to groove in the pocket, and it does. Fiercely.
Tracklist:
01.) Blast Off
02.) Sam Huffs Flying Raging Machine
03.) Move On Up feat. Dwele
04.) King Of The Burgs
05.) Need To Understand
06.) The Last Suppit
07.) Dizzer
08.) Makin My Way Back Home
09.) Salute
10.) Speake E.Z.
11.) Express Yourself
12.) Relax
13.) By Any Shmeeans Necessary
14.) Mr. Yance
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